It's time for a young African American to meet with his white girlfriend's parents for a weekend in their secluded estate in the woods, but before long, the friendly and polite ambience will give way to a nightmare.
In the near future, a weary Logan cares for an ailing Professor X, somewhere on the Mexican border. However, Logan's attempts to hide from the world, and his legacy, are upended when a young mutant arrives, pursued by dark forces.
When three girls are kidnapped by a man with 23 different personalities, they have to work out which of those personalities will help them escape and which of those personalities will try to stop them. Written by
When the camera approaches the father putting food in the trunk, you can see the camera crews legs in the reflection in the fender of the car. See more »
[about Casey standing over in the corner]
That's what happens when you do a mercy invite.
I believed you wanted to invite everyone.
Dad, I can't invite everyone in my art class except for one person without social networking evidence inflicting more pain on that person than was intended. And I'm not a monster.
I'm proud of you. I think.
She gets detention a lot and she yells at teachers sometimes. There was that rumor that went around that she just kept running away from home.
[...] See more »
The end credits are shown in 24 frames in the background of the scrolling credits to simulate the 24 different personalities that Kevin has in the movie. See more »
Movie Overall Could Have Been So Much Better, But McAvoy is Astounding
James McAvoy gives what could have potentially been an award-worthy performance if it had appeared in a different film.
He plays a man with multiple personalities who kidnaps three young girls as a part of a plot two of the personalities have hatched to unleash a powerful and unstoppable identity. Betty Buckley, in a better performance than the role necessarily needed, plays a therapist working with him and who begins to unravel the alarming plot. Writer/director M. Night Shyamalan, who hasn't made a movie I've wanted to see since "Signs," crafts a nifty and effective thriller with three fourths of his film, and then sort of if not completely ruins it by taking his idea too far and pushing the supernatural elements to the point where we realize we're not even watching the same kind of movie we were at the beginning. This particular story, and especially McAvoy's performance, would have been compelling enough without Shyamalan's characteristic inability to understand when he's ruining his own premise.
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